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Cultural Association "the Creattivi" presents:

MEDITA 2.0 - Web publishing at the time of
Rome, November 26, 2009
c / o Town Hall Meeting of the Other Economy wide Dino Frisullo.

Programme of the Round Table

16.00 pm Start work


Introduce
Enzo Foschi - Vice-Chairman of Culture of the Region Lazio

Joseph Gerace - Municipal Councilor Rome II

Moderate
Alessandra Sannella - Sociologist

16.30 Round Table "Top Publishing ? End of Publishing? Problems and Solutions "

invited to participate
Florenzano Francis - Chairman and Editorial Director Upter and Unieda Edup

Paolo De Nardis - Professor Sapienza University of Rome.

Luisa Hair - Editorial Director Meltemi Editore.

Alberto Castelvecchi - President Castelvecchi Publisher.

Majid Abdel Rahman - Managing the Commons.

Maria Laura Gargiulo - Committee Edilet editorial writer and essayist.

Giacomo Bruno - President Bruno Editore.

Caramel Greek - Chairman Asst Méditerranée - Expert in social cooperation.

Roberta Miracapillo - President Legambiente Possible Worlds.

Alex Giordano - Ninja Marketing.

Paul Barucca - Literary Circle Wunderkammer, Ass Cult. Round Table Discussion 18:30



Conclusions



Alessio Di Addezio - President of Association "the Creattivi"

19.30 End of meeting

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MARS hosts Avatar

The art section of MEDITA promotes and hosts a selection of artists whose work is the only means of computer . Title of the exhibition is "Avatar: human? Being" and it will take place in parallel to the round table in the adjacent rooms. More information available here .

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MEDITA 2.0 Sustainable

All advertising materials relating to MEDITA 2.0 will be released exclusively online to avoid paper waste and encourage the use of the Web for promotional purposes. Support us by helping to disseminate this blog to your contacts and spreading the event online. And, of course, participate in numerous discussions.

Please note also that this blog is denuclearization. For more information click here!

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programma@mEDITA2.0

We are working for you. In the short names of the participants and the detailed program.

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MEDITA @ cittàdellaltraeconomia

's official! The round table devoted to publishing new, will take place at The Economy City, in Testaccio, Largo Dino Frisullo, within the range Boario former slaughterhouse.

3,500 square meters of exhibition, marketing, events and meetings to promote alternative economy: organic farming, fair trade, renewable energy, reuse and recycling, responsible tourism, finance, ethics, open communication, bioequobar, bioequoristorante.

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meditates 2.0, an event dedicated to publishing new, 26 November 2009 in Rome

publishing, journalism, retirement (or not) of the paper, the central themes of a panel discussion during which practitioners, sociologists, scientists, communication, booksellers, bloggers, Facebooker, citizen journalist and enthusiasts may exchange ideas and try new ideas through free debate aimed at creating a network of networks.

the main theme of the Round Table is the answer to the following questions: is the end of publishing? is the beginning of publishing? Teachers are encouraged to examine issues related to the traditional publishing that clashes / meets with the web.

In Rome, 26 November 2009

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Filing for TesiCamp! The Digital Storytelling

Here is the thesis of my presentation markup created for the event TesiCamp 2009 ...
Technology for children: a tool for digital storytelling to create tales

View more documents from Cecilia Zaninetti .

Blue And Goldinvocation

The Digital Storytelling is a practice that began in the early 90s, while the spread of multimedia tools at affordable prices and the spread of the Internet, and uses computer-based tools to tell stories.
In simplistic terms can be defined as a method of combining personal narrative with multimedia to produce a small movie. There are several definitions of
Digital Storytelling, but all revolve around the idea of \u200b\u200bcombining elements of digital media such as pictures, audio and video, with the art of telling stories (storytelling), creating a form of re-mediation of the latter.
What sets it apart from the ordinary practice of joining together multimedia material is its tendency to take a narrative form, with strong emotional connotations, and the intent to share it with others via the network.
The so-called "story tales" can be defined as 'blended telling stories with digital technology' (Ohler, 2007) that combine narrative skills with technological potential. These tales may have digital
variable length, but usually range from 2 to 5 minutes, reaching a maximum of 10 minutes.
order to create these kinds of stories, subjects are required to acquire a set of technical skills, communication skills, reflective and self-discovery apparently simple but in reality non-trivial, requiring appropriate training.
E'necessario that people can recognize and manage oral narrative model / view, possess ability to read and write properly use and interpret the media, opening themselves to community participation.
What is important is also able to engage people on a personal level and not just emotional concettuale.È should then be able to calibrate the two parts, rational and emotional.

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The evolution of the narrative: from orality to new technologies


The first step in the analysis of the narrative occurred in the course of history is going to explain how the transition occurred between orality and writing. is important in this regard, mention the work done by American Walter J. Ong (1986). He distinguishes between two types of cultures: those with "primary orality" and those based on writing. Orality is an intrinsic and stable unlike the language of writing that can be seen as a real and its technology .. cultures to "primary orality" does not possess any written support, are highly constrained by the limits of storage .. With the introduction of writing, however, are exceeded the variability and impermanence of orality and created the so-called culture chirography (Coffin, 2003). The writing can be seen as the most important event in the history of technological inventions of man: "Without writing a literate person would not know and could not think in the way he does" (Ong, 1986). And with the discovery of printing was born the first true mass medium for the transmission of knowledge. But in today's world, what happens? Ong speaks of "secondary orality" (or return) to indicate the return of the importance of orality with the proliferation of media such as radio, television and, finally, the computer. We return to a world mediated oral, however, experience from the alphabet and writing. The new orality has similarities with the old, but at the same time, it differs in that it reaches a wider audience and generate a sense of belonging to a very large group. In the process of remediation writing seems to capture, and then, some features orality and on the other hand, the technologies themselves also have reassessed the importance of writing as a preferred vehicle for the transmission of content.